Iridescence: John Gould’s Hummingbirds
May 27, 2017 - August 27, 2017
This collection of avian artworks by John Gould includes 80 antique prints from c. 1861. This J Gould exhibition will highlight a recent acquisition and give visitors an in-depth look at a single artist prominent in the wildlife art field. The collection includes all 20 hummingbirds known to exist in North America at that time, plus 60 other hummingbirds from around the world.
About John Gould (From 2017 “Call of the Wild”)
By the age of 23 John Gould was the curator and preserver of the Zoological Society of London. Less than four years later he published his first book about birds. Over his sixty-year career, Gould produced approximately three thousand plates of birds. More an ornithologist and an expert in taxidermy than a fine artist, Gould worked with artists including his wife Elizabeth Gould, Edward Lear, Joseph Wolf, and William Matthew Hart to produce the images that appeared in his books. It was work by Gould—identifying many of the specimens that Charles Darwin brought back to England with him from the Galapagos Islands as unique species—that was a cornerstone in Darwin’s theory of evolution.
Soundscape Experience within the Exhibition:
Thomas Rex Beverly is a field recordist who created the soundscape currently playing in Iridescence: John Gould’s Hummingbirds. The soundscape is titled: “Iridescence: A Day in the Life of a Hummingbird,” and is a delightful 15 minute composition of sounds including: hummingbirds flying, a thunderstorm, wind, and crickets chirping.
Listen to the full soundscape below:
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Out of the Shadows: Prints from the Permanent Collection
Through April 27, 2025Dürer, Rembrandt, Goya, Picasso, Warhol—while many of the works in this show may be small in size, they are created by some of the biggest names in the canon of art history.
See the Exhibit
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Tony Foster: Watercolour Diaries from the Green River
Through May 4, 2025Artist Tony Foster became fascinated with the 50-million-year-old Green River fossilized fish when he first saw them in 1985. It was from these small special objects that he comprised the idea to make a group of artworks about the Green River. He began his project in 2018, creating a major painting of Steamboat Rock and the horseshoe bend from his vantage point up a 400 foot cliff. In the summer of 2019 he took a rafting trip from the Gates of Lodore to Split Rock, creating five smaller paintings en route. From these initial works he created this exhibition about, in Foster’s words: “this magnificent river.”
See the Exhibit