Changing attitudes towards nature and wildlife are easy to see in the work on display in this gallery. The oldest works in the collection are six birdstones created by Southern Michigan and Northern Indiana tribes over 4000 years ago. These enigmatic carvings show the cross-cultural drive we share to express our relationship to animals through art.
One of the earliest paintings in the collection is Peaceable Kingdom by Edward Hicks, which uses animals to represent his hopes for peace as immigrants colonized North America. Later, artists depicted glowing scenes of wildlife in tranquil settings, capturing the sublime majesty of a continent many settlers saw as a gift from God, their manifest destiny to possess. As Europeans moved west, artists were often on the front lines of exploration. Work by the likes of George Catlin shows an interest in cataloguing North America’s fauna for audiences interested in the bounty of America’s wilderness.
By the late 1800s, wildlife art began to reflect a national sense of mourning over the eradication of millions of bison, the displacement of native peoples, and the degradation of bountiful resources. In the early 1900s, while some artists were creating nostalgic visions of what we had lost, others, like Carl Rungius, were painting remaining populations of wildlife as a reminder of what we still still had.
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Out of the Shadows: Prints from the Permanent Collection
Through April 27, 2025Dürer, Rembrandt, Goya, Picasso, Warhol—while many of the works in this show may be small in size, they are created by some of the biggest names in the canon of art history.
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Tony Foster: Watercolour Diaries from the Green River
Through May 4, 2025Artist Tony Foster became fascinated with the 50-million-year-old Green River fossilized fish when he first saw them in 1985. It was from these small special objects that he comprised the idea to make a group of artworks about the Green River. He began his project in 2018, creating a major painting of Steamboat Rock and the horseshoe bend from his vantage point up a 400 foot cliff. In the summer of 2019 he took a rafting trip from the Gates of Lodore to Split Rock, creating five smaller paintings en route. From these initial works he created this exhibition about, in Foster’s words: “this magnificent river.”
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