Valued Species: Animals in the Art of Andy Warhol and Ai Weiwei
June 5, 2021 - October 3, 2021
Andy Warhol and Ai Weiwei are two incredibly familiar names in art who have both created series depicting animals. In this exhibit, the National Museum of Wildlife Art combines Warhol’s Endangered Species series from the Museum’s permanent collection with Ai Weiwei’s Zodiac (2018) series, which consists of twelve Chinese zodiac animal portraits made of thousands of colorful, plastic bricks.
Together, the unique, kaleidoscopic interpretations of real and magical creatures offer a comparative look at the similarities between the two iconic artists, with accompanying narratives that bring into question how we value both animals
and art.
Andy Warhol y Ai Weiwei son dos de los artistas multimedia más influyentes de los siglos XX y XXI. A pesar de las diferencias entre sus orígenes, épocas y enfoques artísticos, existen conexiones significativas entre las filosofías y la obra de ambos artistas.
Ambos artistas fueron activistas y amantes de los animales y, cada uno en su época, creó una serie de obras que representan animales salvajes. Aunque se enmarcan en narrativas muy diversas, sus obras llaman la atención sobre la relación que la humanidad guarda con el arte y el mundo natural. El National Museum of Wildlife Art se complace en reunir la serie Especies en peligro de extinción (1983) de Andy Warhol, parte de la colección permanente del Museo, y la serie Zodíaco LEGO® (2018) de Ai Weiwei, préstamo de un coleccionista privado. Le invitamos a explorar, disfrutar, contemplar e inspirarse a través de la obra de estos dos artistas innovadores.
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Out of the Shadows: Prints from the Permanent Collection
Through April 27, 2025Dürer, Rembrandt, Goya, Picasso, Warhol—while many of the works in this show may be small in size, they are created by some of the biggest names in the canon of art history.
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Tony Foster: Watercolour Diaries from the Green River
Through May 4, 2025Artist Tony Foster became fascinated with the 50-million-year-old Green River fossilized fish when he first saw them in 1985. It was from these small special objects that he comprised the idea to make a group of artworks about the Green River. He began his project in 2018, creating a major painting of Steamboat Rock and the horseshoe bend from his vantage point up a 400 foot cliff. In the summer of 2019 he took a rafting trip from the Gates of Lodore to Split Rock, creating five smaller paintings en route. From these initial works he created this exhibition about, in Foster’s words: “this magnificent river.”
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